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Dirk Lange

Dirk Lange

www.prozacco.de

Escapism and nostalgia in all its divergent facets are central for Dirk Lange's work. All his drawings and Collages feature human figures seemingly emerging from a multitude of stacked ornaments and designs. The onlooker never can make eye contact with these - often - faceless beings. Their presence oscillates between the lifelessness of a piece of jewelry, of a trophy, or of a specimen from the laboratory. This lifelessness emanates an almost religious distance and an ambivalent power and autonomy.

Lange's technique is derived from and influenced by scientific illustrations, by techniques used in altar depictions, costume design, as well as by techniques used in weaving. His subjects seem to be lost in outer space and in their own universes. They become surfaces, literally and abstractly, due to their quality of depicting over the top daydreams, extreme narcissism and gnostic world denial.

2001 diploma at Akademie voor Beeldende Kunsten, Maastricht (NL)
lives in Dresden

exhibitions

2006 New Ghost Entertainment-Entitled, Kunsthaus Dresden (group)
2006 Tristesse Deluxe, Berlin (group)
2006 PartyArty Gallery, Festsaal Kreuzberg, Berlin (group)
2006 Uneingelöste Versprechen - Stellungen und Positionen, Motorenhalle Dresden (group)
2006 The Truth Tut Gut, Montgomery Berlin (group)
2006 Wildes Kapital/Wild Capital, Kunsthaus Dresden (group)
2005 Follow Your Dreams, presentation of Mooste Guest Studio, Tallinn Art Hall (EST) (group)
2005 Nero’s All-You-Can-Eat, Plein, Berlin (single)
2005 Paradies Kontrolle, rONIN Exhibition Project 2005, Nürnberg (single)
2005 Emergenzy Room, Kunsthaus Dresden (part of exhibition »Stabile Seitenlage«) (group)
2005 Let’s go Lanke group exhibition of Dresden Artists, Schloss Lanke near Berlin (group)
2004 Öötöö - Nachtarbeit, Tartu University (EST) (group)
2003 PartyArty Vol. 1, Lovelite, Berlin (single)
2003 Höxter vs. Grossstadt in: Bruxismus, Blitzgalerie, Dresden (group)

Cd on Novantiqua:

  • Hands Up

Michelangelo Buonarroti

Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), commonly known as Michelangelo, was an Italian Renaissance painter, sculptor, architect, poet, and engineer. Despite making few forays beyond the arts, his versatility in the disciplines he took up was of such a high order that he is often considered a contender for the title of the archetypal Renaissance man, along with fellow Italian Leonardo da Vinci.

Michelangelo's output in every field during his long life was prodigious; when the sheer volume of correspondence, sketches, and reminiscences that survive is also taken into account, he is the best-documented artist of the 16th century. Two of his best-known works, the Pietà and David, were sculpted before he turned thirty. Despite his low opinion of painting, Michelangelo also created two of the most influential works in fresco in the history of Western art: the scenes from Genesis on the ceiling and The Last Judgment on the altar wall of the Sistine Chapel in Rome. As an architect, Michelangelo pioneered the Mannerist style at the Laurentian Library. At 74 he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan, the western end being finished to Michelangelo's design, the dome being completed after his death with some modification.

In a demonstration of Michelangelo's unique standing, he was the first Western artist whose biography was published while he was alive. Two biographies were published of him during his lifetime; one of them, by Giorgio Vasari, proposed that he was the pinnacle of all artistic achievement since the beginning of the Renaissance, a viewpoint that continued to have currency in art history for centuries. In his lifetime he was also often called Il Divino ("the divine one"). One of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in Mannerism, the next major movement in Western art after the High Renaissance.

Cd on Novantiqua:

  • Michelangelo a Firenze

Till Ansgar Baumhauer

Till Ansgar Baumhauer
www.till-ansgar-baumhauer.de

Facing the personality of Carlo Gesualdo in his quality as artist and murderer, there was an importance in my artwork also to analyze the relations between aesthetics and violence or rather creative energy and destruction as well as the point when violence is aesthetified and, for that, not experienced any more as itself.
In the actual series of works „children´s songs“ this aspect is combined with life and work of the italian painter Michelangelo Merisi da Caravaggio.
In the „Swan´s song project“ I compare different ways of societally justified acts of self destruction (early Christian martyrdom, japanese Kamikaze, islamist Jihad and the baroque fictitious commonplace of death for love) and overlap them.

Cd on Novantiqua:

  • Terre senz'Acqua

Michele Riccomini

Michele Riccomini

www.riccominiart.com

www.vocidalghetto.com

Born in Parma - Italy in 1974 I begun working in graphic design after scientific study. I had experience in advertising and web communication for web italian agency. I starded composing art works at 18 years old, and after a long period of inactivity I felt the need to restart in art working. My Australian Project born after a long journey in Au. Following Filippo Lilloni in his documentary work in Australia based on Aborigenal matter I had the occasion to travel in the heart of Australia taking thousands of photos on wich I decided to built my new art works.

I work with photos, my photos. And with my Mac. I get images from evrithing gives me emotions. Somethings connects objects and places in a second dimension. My effort is to put togheter this elements making them create a new element.

I begun working in art composition more than 10 years ago, but i stoped for a long period. During 2008 I looked in myself to find new energy to give shape to my world. The "Australian Project" starts after a long jurney in Sydney, Melbourne and Alice Spring. Working on a documentary project I felt again painting suggestion coming back. I decided to give time and energy to this feeling and I'm going to produce a complex group of paintings.

"NYC Vinil Record" Is the first expo I'm going to partecipate in New York. 50 artist coming from USA and other countries will produce 5 operas on vinil 12" records. I decided to produce Italian mood compositions giving a strong contrast between the modernity of the expo and the oldItalian style.

Cd on Novantiqua:

  • Music & Regime